second basement jaxx title in as many weeks, this week we have the doublepack ft the last two singles. double 12 inch, full colour picture sleeve, heavy weight package, including mixes of tracks what a difference your love makes / back 2 the wild. limited to 450 copies.

space ranger are back on lovemonk. after a highly praised debut album, what about the magnetic fields?, the stuttgart gang delivers a new single, push button bang. they have joined forces with la based good night keaton on vocals to deliver a breezy, everlasting-summer anthem. sun-soaked grooves and roads leading to dance parties on the beach flow into the atmosphere when this is playing. aaron shanahan is the man behind good night keaton and he happens to be miami horrors drummer.
two grandiose remixes accompany the original. the legendary jori hulkkonen applies his wisdom to deliver one of his signature, class aa remixes, while up and coming spanish producer kresy, fresh from a wicked release on hivern, delivers a remix that will leave a certain smile on your face for a while. rounding off the single, space ranger step on it and go straight for the dance floor with intenzo, an immense italo-influenced house track.

tom withers aka klute is unlike any other drum & bass producer in the scene today. from his entry into the music business fronting the late 80s punk band the stupids and his early jungle releases on legendary label certificate 18, klute has always set himself apart from the pack never afraid to do things that little bit differently. 15 years in and his story continues as he prepares to unleash a staggering seventh studio album, *the draft*, another accomplished piece of musical ambition from a producer who never fails to disappoint.
comes as red coloured double 12 inch vinyl.

synth sense have been in imperious form as of late. following on from their alien transmissions release and the collaborative effort with asc, on reject the system, fragments from an infinite sequence sees them back in familiar territory, the unknown. as you would imagine from the titles, this is a vast collection of music that spans short of 30 mins, but explores infinite possibilities. close your eyes, open your ears, sit back and indulge in the world of synth sense.

support by juan atkins, brothers vibe, valnetino kanzyani, ray okpara, guy j, andre galuzzi, phil kieran, chris lattner, rampa, nekes, federico molinari, fimo, patrick bateman, mathias schaffhaeuser and many more! enough! music is back with its newest ep package made from three berlin based artists who bring their own unique sound and styles, a stong statement that these three rising talents are certainly ones to watch closely over this coming year. first we must speak about the two originals provided by george p., aptly named <start> and <stop>, each track carries the signature drive and syncopation typical in any george p. track. <start> is a hypnotic and smooth tech driver, pushing forward with intense percussion rhythms, haunting synth lines and intense pads in support, this has all the hallmarks of any classic detroit cut only with more panache. <stop> continues in the same vain with a raw and jacking tech mix, the intensity growing as the track evolves, a driving stab and tom bass establish a funkiness that becomes infectious and certainly a big dance floor number. the first remix comes from label boss danilo schneider who is <pause remix> of start brings on a solid deep groove perfect for the early hours, yet doesn t loose any of the intensity of the original, this is danilo at his very best and most definitely one killer deep ass shaker here!last but not least is the second remix is by edgar jack who is version of <stop> (aptly named <you know i don t want to>) manages to capture all the rawness and colour of the original as a funky, jacking mix with deep dubby basses and a nasty swing groove that will knock your hip out…yes, you ve been warned.enough! music delivers once again with a very strong and promising ep that will certainly please the dance floor and rumble those speakers from side to side, these three gents from berlin have delivered four powerful and unique cuts that you know you can just simply sink your teeth into.

simian mobile disco are back with more of the world s only techno tasting menu, serving up a a brand new platter for your delectation: tong zi dan are the chinese delicacy usually translated as virgin boy eggs. like the tea stained eggs you ll find in your ramen, these are eggs cracked part way through the boiling process, to let the flavours of the liquid seep through.

nach der veröffentlichung des neuen albums tomorrow s harvest , das von einer aufsehenerregenden internetmarketingstrategie begleitet wurde und boards of canada weltweit erstmals in die charts katapultierte, erscheint nun - aufgrund starker nachfrage - eine reissue-reihe mit all ihren bisherigen vinylformaten. jedes neue vinyl enthält diesmal zusätzlich einen downloadcode. zuerst erscheinen die alben music has the right to children (1998), geogaddi (2002) und the campfire headphase (2006), im zweiten schritt das minialbum twoism (1995) sowie die beiden eps in a beautiful place out in the country (2000) und trans canada highway (2006).

this is the vinyl edition of tigerskins album >all those goodbyes< this special vinyl features 3 exclusive tracks that are not on the cd version of the album. the essence, out of breath and the king always stays the king are three club bangers that will destroy your floor.

alias g is back!! 3 hot houz bangers from chi towns original gansta.. support in the bag from actress, delroy edwards and your mums favourite dj. alias g been out here doing this thing with the likes of gene hunt, marshall jefferson and marcus mixx.. this as reel as chicago gets, real ghetto houz gangsta muzak for the heads dat remember

parisian label mlh are pleased to present the first vinyl release with four tracks by the ny legends the dat project and the groove victim.based in paris, mlh brings real house music tracks based on raw rhythms, infectious stabs and hard hitting grooves, written somewhere between chicago, new york, london, berlin and paris. the sounds of house compilations are intended to be a simple contribution to the history of a relatively young musical scene but whose culture is already full of true legends. this time, the major league house have chosen two new york underground house scene activists to appear on its first vinyl. a-side signals the return of the legendary dat project, better known as william rosario. with 25 years of experience, numerous aliases and more than 350 releases in notorious imprint as nervous records, strictly rhythm, umm, next moov traxx… william rosario is considered as a pioneer of the dance scene. the dat project tracks come with the genuine old school deep house vibe from a producer who was there at the beginning. the release features 2 of his oldschools classics especially remixed and remastered, including the 92s hit >let the rythym move you<.on the b-side, mlh present two stomping tracks by the mysterious jay brown. under his groove victim alias,he brings us some deep dopeness coupled with swinging beats and atmospheric synth melodies. after several great releases as the wanderings ep, foul tracks ep, the chosen tracks ep…on imprints as cyberjamz and my love is underground, the groove will definitely grab your attention with these two hard grooving tracks...

a very unique style... whim-ee, aka sara garcia is a french dj/producer. originally from recife, brazil she relocated to paris as a child where she began her journey into music via classical piano school for nine years. whim-ee later began experimenting with electronic music, injecting her own unique fusion of house, techno, jazz, funk, and soul.

glenn strikes back with volume two of his classiques series featuring 4 chicago style disco edits. seriously deep and funky. and classy! dont sleep on these. gonna be big.

four classics and two original remixes present on this archiv #08 re-issue have been carefully selected by savvas ysatis and tresor, to be re-mastered and cut in a new con&#64257,,,,,,guration for your listening pleasure and playing comfort

the fat dog label returns for its second outing with yet another confident four tracker designed for both the head and the feet. the proceedings begin with the sublime moonrunners. introducing contributions from new artist spooner, the production duo use their hardware to take us to the very craters with this bubbler of emotive deep techno with dissonant house touches, d link (fat dog & ny*ak) continues the basement feeling with urnogud4me, albeit at a slower tempo but still keeps the floor burning with an unsuspecting, intense voodoo-house mystery. this is raw club music. side b we head straight onto a greasy dance floor called werk. lush pads intermingle with breathy flute stabs while the building groove consistently nags attention from your feet. stop teases us back onto the slo-mo dance floor yet again with another scorching deep house groove for the hips with a subtle funk to be desired at the disco as well as the deep room. limited copies!

klamauk 005 various artists release is coming with tracks from roman rauch in collaboration with his mate philta, spontanmusik head keinzweiter, tom ellis and florence based the clover. roman rauch, well known for his releases on philpot, tenderpark or quintessentials brings us with >gino< a slow and deep housebanger with a smooth bassline that unfolds into some vibes and funky monosynth jamming for a simultaneously laid back and upbeat experience. keinzweiter – >the stomp< is a laid back discoslammer, getting richer in sound untill the break where the strings come all down and make the track to a little symphony. tom ellis created with >got your back< a big groovemonster, wobbling in deep territories and shuffled percussions. closing it out, we have the clover with their track >whitening the cell<. a live played bassline, setting the stage for some expansive background synth work in the second half with some cutted microhouse elements. limited and numbered vinyls.

after appearances on idle hands and brstl, rhythmic theory returns to their own imprint to further explore gritty textures and mysterious moods within house and techno frameworks. where theory001 featured the somewhat soothing, melancholic tones of >echo vibe< and >omega syndrome<, this second installment comes caked in sonic muck and abrasive attitude.its not all dark and foreboding, as the graceful filter-swept key refrain of >siren song< will attest, but it takes a barrage of rasping hats and bludgeoning kicks and toms before such niceties can be foisted upon our ears. while there is an optimistic lilt to the particular notes the melody calls out, in the midst of such machismo percussion it cant help but feel emotionally ambiguous, continuing the tone set out in the first rhythmic theory releases.there is no such confusion over b side cut >genesis< from the apocalyptic boom of the opening kick to the rapid gun fire of the snare this is a track that wants to inflict damage. at the midway point the searing beat melts away as a wash of delay-riddled speech knocks you from your centre of gravity, only for the drums to come whipping back in to pick up the slack. even the sole synth note that rears its head is devoid of compassion, pulsing a creepy, robotic intonation through the clamour.

after releasing two highly acclaimed remix 12inches earlier this year, red stars over tokyo now delivers the hauntingly beautiful melody attack album

rondenion is a japanese dj and producer. his link with music started working as a recording artist in the late 90s. under the name hirofumi goto, his released his debut ep *ameria*. it drew attention for its dark atmosphere, and was played by international figures of the electronic scene such as derrick may. he changed his name to rondenion as a tribute to chicago and detroit. not so long later, he released his *love bound ep* on the respected rush hour records. it reached the top sales chart position on the rushhour store, and rondenion began to make himself known within the european scene. in 2012, he co-founded ragrange symphony, alongside no milk and kez ym. kicks kicks is a young graphist, dj and producer based in france. his passion for skateboarding lead him to discover all the 90s deep house/garage scene such as kerry chandler through skateboard videotapes. his debut set happened in bordeaux a few years ago alongside nicholas & larcier. he is an analog freak and started producing his first tracks in 2013 which will finally be out on cracki records.

in paradisums 11th offering comes from low jack, who returns to the label after his collaboration with qoso. it is a heavy ep of dense, apocalyptic sounds from the fast rising french dj and producer that often churns along at a very predatory sub-100bpm.

(incl collabs with etienne de crécy, alex gopher, zombie nation & john roman) collaborations is an ep on which the subs joined forces with both iconic names and underground producers.

inspired by a background in classical percussion and an obsession with synthesizers, jeremy malvin creates music under the name chrome sparks. the project kicked off in mid 2012 with the release of marijuana, a thumping, fluttering piece of electronica that set the internet alight. marijuana finally sees official release as part of chrome sparks debut ep sparks, a 6-track exhibition of future funk.

while >sweet nothings< was a balancing act between clubsound and listening-electronica the duo is now turning its back on the dancefloor, to take the listener on an accustic tour through their personal amber room. with their chamber-electro mix, containing characteristics of dubstep, catchy pop-elements, classical string arrangements and and a singer/songwriter like intimacy, they achieve to create new sound-rooms

bedroom community releases daniel bjarnasons over light earth on september 30th 2013. this is the icelandic award-winning composers second solo-album and third release on bedroom community, hot on the heels of his solaris collaboration with labelmate ben frost. bjarnasons critically acclaimed debut album processions was hailed by time out ny as coming eerily close to defining classical musics undefinable brave new world.on over light earth the intensity of bjarnason s orchestral voice is captured through meticulous close-micing and multitracking, a recording process that sets this recording radically apart from that of conventional orchestral recordings.

after the last collaboration which saw them go out successfully on desolat, the label loco dice, finally and after so much hard work they have completed their first album on beatwax records and have entitled it a young long trip.

deluxe pack incl a beatwax sticker pack and the cd album (with 3 exclusive bonus tracks)! plux dj mix cd

for its first longplayer, rawax proudly welcomes berlin based producer daniela la luz to the family!

pdd are proud to welcome tsuba records to our exclusive roster. first up is a killer house ep from one of this years biggest names, waze & odyssey. early dj support from:bicep, dusky, kerri chandler & pete tong (bbc radio 1 play)

for this second edition of the vinyl only imprint, one of the label owners s.m.a.l.l (half of the deep house duo politics of dancing) take matters in his own hands and strike with 3 deep house tracks strictly for the dancefloor. including a remix from the french underground legend chris carrier!
be fast to get your hand on this one! limited copies, 300 vinyls only ...

following on your work as one of the twin pioneers of glaswegian radge-rock in arab strap cant be an easy task. aidan clearly has had other ideas, quite different ideas, and most of them comprise his solo project release via his alter ego, lucky pierre. in these recordings, l. pierre pays an affectionate tribute to the wear and tear of overplayed vinyl, the hiss, scratch and pop of records long loved but worn down. it is the sound of survival, the echoes of a life lived well, moth eaten music of dasness and resilience, of beauty and backbone.
pressing on 10 inch vinyl, download code included.

3 classic cuts from one of detroits finest house producer of all time mr terrence parker. this ep features two brand new 2013 versions, dont miss out!

samuli kemppi played live twice at suicide circus, and since his energetic sound really fit well with our club, we started talking to each other about a release on our dark series imprint. so here we go now, after releases on labels such as prologue, mote evolver and perc trax, samuli kemppi now is ready to rock your boat with three tracks on our label, which define a very particular sound of their own. last day on earth brings samulis apocalyptic vision to the dancefloors. dark hisses, well scaped spaces and a hookline with the pull of a spacecraft make up for a track that with no doubt will be one of the techno anthems of the next months. a killer of a track! on the b-side spacing has similar sound aesthetics as last day on earth, but comes along more playful whereas calling approaches the apocalyptic theme from a very different angle. bleepy synths over a banging beat let you think of laser shots in the dark, haunting and scary.

after the fifth italian release by samann, now its time to another italian artist enrico mantini pioneer of the 90s, house and deep for your ears!

e.a.r always pull something perfectly summery out of the bag just as the sun pokes it head from behind the clouds and with *mercado viejo*, it is no different. this carnival style mood lifter is destined to have heads nodding and feet tapping in beach bars and around pools all over the world. news has it that it is already heralding the summer season in ibiza in a wonderfully cheerful way.

despite having a weird and unpronounceable name, 2methylbulbe1ol, once again is about spread some slammin dubstep over your kitchen floor. this young artist from france appeared already on the ruff label. he has always provided some harsh and extremely well produce sounds. watch out for more crazyness to come from this lad...

a firm favourite in the rebellion camp, prolific producer aidan lavelle makes his third appearance on the imprint this time with the immense direction ep, comprising of three outstanding big room tracks that will blow your mind. powerful build ups and epic breakdowns will dominate the dancefloor while trippy fx, rolling grooves and deep tribal undertones will circulate the atmosphere with aidans vocoder enhanced vocals adding a real stand out element. all three tracks are to be played loud for full effect and maximum destruction on the dancefloor

mr raoul ks beats blend in very slowly and do not take over until the very end. close your eyes on the dancefloor and find yourself exploring the secrets of the unknown, feeling the real esprit of the jungle

limited nice pice action
its been a while but now, finally, freedarich and stiggsen are back on freizeitglauben with more dreamy and dubby minimal entertainment. two tracks full of rich textures and subtle melodic seduction to pleasure your senses. and since the ep already miracously found its into the groove charts, it was time to finally release these amazing tracks to have a happy transition from the last open air afterhour to the upcoming autumn.

second release on bouq.sub, the new sublabel of butch & amirs bouq. with two french heavyweights. or at least one heavyweight, the legendary kiko together with his young mate spencer k. an infectious combination of skills to design the perfect groove and the right arrangement to make your floor go bazinga.

we feel proud as we welcome back on material vinyl edition on this special limited copy the best selling tracks from materialism.materialism meets material then when some high belters that goes straight in your vinyl bag. enjoy

dies ist afrobeat airways 2 – return flight to ghana 1974-1983 und die fortsetzung der anthologie ghanaischer musik und knuepft mit titeln voller individualitaet, mitreißenden drumbreaks, filigraner percussion, psychedelischen orgeln und kraftvollen blaesersaetzen nahtlos an teil 1 an. wir hoffen, dass euch die zusammenstellung genau so gut gefaellt

after a bit of a hiatus, roots unit return with some deep house hybrids from their bulging vaults. learn to love is a melodic dub-house / techno infused big sound system warmer that comes from a studio session with former 2 lone swordsman keith tenniswood and will be familiar to those who tune into tim sweeneys beats in space show on the regular. morning sequence is a lovely early morning hypnotic slinky electronic house jam that gets under your skin and into your mind. this latter track is mutated into a heavy floor filler by mark e in full on peak time mode.

this is the debut release for matt kennedy and short black, born out of bounce audio record shop in melbourne / australia. matt delivers a stunning debut 12 inch showcasing his talent. the young dj/producer delivers 4 tracks to suit every mood of the night. house, deep techno and some tasty disco influenced house tunes. we are confident this will stay in your bag for some time.

fleetwood mac is a band with many faces. in contrast to their poppy sound of the 70s, fleetwood mac actually started out in the sixties as a psychedelic blues band under guitarist peter greens lead.
pious bird of good omen was originally released in 1969 as a compilation of the bands bluesy roots: their first four uk singles and their b-sides and two tracks by bluesman eddie boyd with fleetwood mac backing. the albums sound is laidback, down & very dirty, featuring scorching cover versions of little willie johns >need your love so bad< and robert johnsons >i believe my time aint long<. the b-side features the international hit single >albatross< and peter greens composition >black magic woman<, the latter being popularized by santanas version in 1970. this album is a must-have for blues fans. anyone interested in the roots of fleetwood mac might discover they are essentially a totally different band than one might think.

i first met leon vynehall in berlin before a gig at the amazing about_blank. we had a fun conversation and he played a really good set that night. much later i realized i had been playing one of his tracks (total s) for ages! we stayed in touch and i asked if i could hear some of his new music. he sent me five tracks and i signed four, that is a pretty good score if you ask me! smart and conscious about his music and his output, i think this ep is really only the beginning for leon vynehall. i am glad i am able to give it a platform and share these amazing tracks with you. also special props to d&m for doing a great mastering job on these. - martyn

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts. whiskey disco #21 is brought to you by your future lovers, tomas malo, atnarko, andrew clarke and space coast. these folks have futurified some heavy love affairs ranging from disco to rnb. this machine has soul, baby!

4 secret weapons of the gomma / toy tonics djs. very effective techno/house versions of songs you might know from the 70ies and 80ies. the dancefloor will love these.... reworked by gomma artists munk, mercury, manuel kim and toy tonics newcomers black loops

jessy lanza s debut album *pull my hair back*, co-written and co-produced with jeremy greenspan from junior boys, is a 2013 flagship for what electronic pop could sound like, stripped of bloated, behaviourist impulses that treat listeners like lab rats. it is graceful and erotic without the gratuitous close ups, icey and sensual, sweet without rotting your teeth, emotional but with enough blue glow to pull your heart strings. jessys voice flutters through the synths seductively, insistent without the over-singing and grating choruses that plague so much contemporary pop. jessy lanza has a background as a singer and skilled piano scholar, and the duo share a mutual love of collecting the old hardware synths and drum machines that grace this collection of songs. transecting r&b, house, disco and 80s studio rock, the production is immaculate, reminiscent of early junior boys, treading that fine line between cold futurism and the r&b that jessy and jeremy are infatuated with.

ever the shape -shifters and genre-benders, on their newest ep lullaby san-francisco dance darlings pillowtalk move away from their innovative brand of housified soul and look toward the misty terrain of lush, 80s-inspired synth-pop. turn down the collars on your izods, switch on your walkman, and drift into that delicious space between waking and sleeping, love and loss, making out and making up.